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Save live music

If he knew, the composer Manuel de Falla would turn in his grave. Live music in the Bay of Cadiz is going through a very rough patch indeed. Having said that, activists have once again come to the rescue in the form of Salvemos el directo (Save live music). This platform is battling to bring live performances back to Puerto Santa Maria via a network of small venues that are revving for action.

By:  Mario Ortiz
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Platform to save live music
Salvemos el directo
Birth: 2008
Location: El Puerto de Santa María (Cadiz)
Stands out for: struggling to help musicians find a circuit of venues in which to perform
Did you know? musicians such as Raimundo Amador, Joaquín Sabina and Javier Ruibal support the cause

A temporary veto of new voices on the music scene. Since the summer of 2008, concerts have been banned in ten small venues as decreed by the town hall of Puerto de Santa Maria in Cadiz. Negotiations between musicians and the local authorities are still underway, but swords are drawn and ready for battle while both sides try to reach an agreement when it comes to live music. “It’s just not realistic to think that musicians can go straight from music school or their rehearsal venue and make it on an international playing field. Playing live is an essential part of the process,” explains the musician Héctor Robles who owns the venue El Barcito.

This municipality-wide ban is based on the 2007 Andalusian law controlling public entertainment and which restricts concerts to large venues and nightclubs. At the moment, the town councillor for the local government youth department in Puerto Santa Maria, Francisco Aguilar, is looking for a legal loophole in the shape of a bylaw to allow musicians to play in smaller venues again. “We’re keeping an open mind. We are dealing with a legal issue here and we believe a compromise can be found. The law needs to be adapted or a loophole found because in reality the local police are merely abiding by the law and it would be unwise to overlook that,” explains Aguilar.

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The activists’ fundamental argument, which has been given the support of musicians like Sabina, Javier Ruibal and Chano Domínguez, is quite rational: “We simply don’t understand why they have banned live music in venues with licences that allow recorded music to be played at the same volume. Especially puzzling is the fact that these places are sound-proofed and the noise doesn’t affect the neighbours,” explains Barab, spokeswoman for the movement.

Musicians and businesses have suggested a 22:30 curfew for concerts in venues without licences for recorded music. They’ve asked for a 01:30 curfew for venues with a licence. Bars would therefore be granted special status by their support of musical quality and would therefore respect the rules.

“This situation is particularly absurd given that the local police have even suspended concerts organised by the local government itself,” highlights the movement on their website. This issue came up in Barcelona in 2007 and the town hall reacted swiftly creating a bylaw for “music bars with live music” for venues without dance floors.

Support for the movement is rapidly on the up. “The government has delegated responsibilities to town halls who apply the law to varying extents. We are campaigning to transfer responsibility for this issue to the Department of Culture rather than the Department for the Environment given that they understand what we’re facing. Hopefully their laws would be more reasonable,” explains Fernando Pino secretary of COSA, the cultural association for coordinating live music venues in Andalusia. Percussionist Javi Ruibal, an artist affected by this problem, reflects on the issue: “We have written to the mayor so that this issue can be resolved. Meanwhile musicians like myself can’t work”.

Live music doesn’t rouse a great deal of support on the other side of the bay. In Cadiz, the number of concert venues has decreased over the years inciting the creation of a movement known as Rock gaditano en el exilio (Rock from Cadiz in exile) who hold their music festival in nearby Puerto Real. The enigma seems to be repeating itself. “Local police have even tried to shut down concerts organised by the town hall. We can’t even count on the Casa de la Juventud anymore. When the odds are stacked against you and they try to stifle you even more, it usually has the opposite effect,” comments Karim Algende hopefully from the association Akople Local.



Asociación Muscicarte
Miembro de la Plataforma
Plaza Alfonso X El Sabio, 4
680544899 / 956873161



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El 17 October 2008 a las 1:29 PM, dijo...

La música en directo se prohibe en El Puerto de Santa María…

La Policía Local se dedica a frenar cualquier iniciativa musical y cultural en la localidad gaditana, por una ley de 2007 que sólo permite a las grandes salas ofrecer conciertos en directo. Las pequeñas salas apenas tienen derecho a reproducir músi…

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El 19 October 2008 a las 7:58 PM, Manolo dijo...

seguimos en la lucha….
esto es una vergüenza!!!

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El 25 May 2009 a las 5:20 PM, Carmen dijo...

En Sevilla es aún peor. Las actuaciones municipales y de la policía son absolutamente arbitrarias, no se protege ni a los jóvenes empresarios, ni a la música, sólo se permite lo que organiza el ayuntamiento, por cierto, cosas vacías, y con muuuuchos decibelios, o aquellos locales que tienen parentecos o amiguismos con las instituciones. Sevilla parque temático, una de las cunas del flamenco sin flamenco. Es patético, un abuso del dinero público y una indefensión absoluta para l@s jóvenes empresarios que hemos apostado por la música de verdad, como en el Laberinto.

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El 12 August 2009 a las 3:39 PM, antenabahia dijo...


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El 30 September 2009 a las 10:36 PM, Nono dijo...


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El 1 October 2009 a las 12:44 AM, Cecilia Bogaard dijo...

Gracias Nono por el vídeo. Lo he incluido en el reportaje. Que fuerte.

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